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Throughout the poem, the speaker is faced with the simultaneous familiarity and distance of her husband—a person so changed by wartime trauma that he is now almost unrecognizable to his wife. The "manhunt" of the poem's title is a reference to the speaker's exploration of her husband's dramatically changed body and self, and the poem demonstrates the difficulty of reconnecting with loved ones after they've returned from traumatic military combat. In doing so, the poem highlights the wider effects of personal trauma on those who are close to it.
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- Elle révèle son goût pour les choses triviales, basses, comme Hugo qui déclare dans Les Contemplations, "J'aime l'araignée et j'aime l'ortie parce qu'on les hait". Le "je" du poète est mis en scène dans Les Fleurs du Mal.
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