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Au terme de ce prologue, le spectateur sait à quoi s'attendre : la pièce sera sombre (funèbre même), une tragédie intime, centrée sur les pensées des personnages et leurs drames intérieurs. Il comprend également que l'intrigue s'articulera autour de la question d'un aveu impossible à formuler (la mort prochaine du héros). D'emblée Lagarce nous place du côté de ce héros pudique et rêveur, Louis, pour lequel on ne peut éprouver que de la pitié et de l'empathie ; pitié et empathie qui iront en s'accentuant au fur et à mesure que le conflit s'aggravera avec les siens, rendant son aveu définitivement impossible.

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